With dance music’s ever-increasing popularity across East Asia, votes for artists from across the region continue to pour in thick and fast. And as a result, we’re happy to welcome China’s ChengLong (Leon) Zhou, aka DJ L, who makes his first appearance in the Top 100 DJs poll this year. 2017 has seen DJ L release a slew of new music, including ‘Kraken’ with AvAlance & Flash Finger, ‘Pow Pow’, and his collab with AVYANNA ‘Follow Me (MYST Version)’ — with the latter two dropping via major label, Sony Music.
“This year is super-busy, but meaningful,” explains DJ L. As musical director at Shanghai’s 2000-capacity MYST club — which landed 44th in this year’s Top 100 Clubs poll — DJ L is naturally well-loved by his home crowd, and this year he’s been spreading his name far and wide with a world tour, taking his combination of trap, bass and big room to new ears, and as such, new possible fans. Will DJ L look back on 2017 as the year he began a long, successful run in the Top 100 DJs poll? Will he become China’s finest EDM export? Only time will tell…
Overnight hits are a fantasy for most artists, but for young Martin Jensen, this was a reality. His single ‘Solo Dance’, released at the end of last year, has continued to pick up with supersonic speed throughout 2017, propelling him into Spotify playlists the world over and amassing over 340 million streams.
This year he made his debut at one of EDM’s most highly regarded main stages, wooing the crowds of Tomorrowland in Belgium. The Danish-born DJ’s schedule has already seen him high-flying across the festival circuit with appearances at CRSSD and Kaaboo in the USA, Bråvalla in Sweden, Skral in Norway, Smukfest in Denmark and Lollapalooza in Germany.
”I have been playing loads of shows across the world, and we released a bunch of remixes, plus my latest single ‘Wait’ came out in the summer,” he tells DJ Mag about the highlights of this year so far. Keeping the momentum going strong and his fanbase happy, ’Wait’ featured Loote on the vocals making it his most catchy number yet.
One of the things that have really blown away Jay Hardway this year is the realization that more and more of the people that come to his shows know his music. “I’ve been flying all over the world again this year, and that isn’t always easy,” he tells DJ Mag. “But as soon as I see people going crazy over my music at shows, it makes it all worth it!”
His positivity shines through when we reveal the news of his Top 100 entry. “It’s already awesome that there are so many people who are listening to my music and enjoying my shows, and to know that they’re voting for me because they want to see me higher in the list means a lot.”
By way of thanks to his fans, Jay intends to release online music videos and tutorials about the process he goes through in making tracks like this year’s anthemic ‘Golden Pineapple’. And there are plans to give his live shows a big ole upgrade for 2018, with exciting new visuals and exclusive tracks currently being written to be performed there. “This way, making my sets truly unique and a great experience at festivals and in clubs,” Jay beams.
Prolific would be one way to describe the partnership of Lucas de Wert and Steven Jansen. One of many Dutch acts in our annual poll, they’ve gone from rising hopefuls to headliners since their creative talents first aligned seven years ago, a meeting of minds that has given the world plenty of dancefloor ammunition in that time. Signing to the relentless hit-making machine Spinnin’ Records in 2014 marked the start of a string of huge releases, and this shows no sign of stopping anytime soon.
This year alone has seen them deliver work like ‘Calling On You’, alongside Jake Reese, hitting the Billboard Top 40 in the process; ‘Feel Alive’ with Pep & Rash; ‘These Heights’ with fellow Top 100 DJ entrants Bassjackers; not to mention collaborations with Mike Williams, Firebeatz and Madison Mars. Oh, and the solo bomb ‘Up Till Dawn (On The Move)’ — a tried and tested summer anthem. Known for their love of future-leaning dance that has roots in electro-house and pop, high-profile shows have taken them everywhere from the main stage at Tomorrowland to Bangkok during 2017. If that’s not proof of some serious global demand, we’re not sure what is.